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The signature of Portuguese posters from 17th Century to 20th Century: one history of identities

BARBOSA, Helena;

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This paper presents the history of the identification of Portuguese poster authors from the 17th century until the end of the 20th century. While this information is presented in a micro scale in the artefact, the paper refers to the reasons for its relevance, either due to their presence or absence, explaining how the authors identified themselves in the public sphere, during that period.

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Palavras-chave: Portuguese poster, Design, Authorship, Signature,

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DOI: 10.5151/design-icdhs-035

Referências bibliográficas
  • [1] Barbosa, H. 2009. Entrevista ao designer Vitor Manaças. [Registo visual]. Lisboa: [s.n.] File (DVD-R). (2 h 58 min., 14 seg.).
  • [2] Barbosa, H; Calvera, A. And Branco, V. 2009 Portugal’s first advertising agency: Raul de Caldevilla and the ETP, 1914-1923. Design Issues, 25 (1): 22-35.
  • [3] Collins, B. 2000. The poster as art: Jules Chéret and the struggle for the equality of the arts in late nineteenth-century France. In DOORDAN, Dennis P. (Ed.) Design history: an anthology: 17-27. Massachusetts: MIT.
  • [4] Lisboa, H. 2007. As academias e escolas de Belas Artes e o ensino artístico (1836-1910). Lisboa: Edições Colibri.
  • [5] Pereira, P. 199 O barroco do século XVIII. In PEREIRA, Paulo (Ed.) História da arte portuguesa: 50-171. Lisboa: Círculo de Leitores.
Como citar:

BARBOSA, Helena; "The signature of Portuguese posters from 17th Century to 20th Century: one history of identities", p. 158-162 . In: Farias, Priscila Lena; Calvera, Anna; Braga, Marcos da Costa & Schincariol, Zuleica (Eds.). Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. São Paulo: Blucher, 2012. São Paulo: Blucher, 2014.
ISSN 2318-6968, ISBN: 978-85-212-0692-7
DOI 10.5151/design-icdhs-035

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