Um olhar sobre a relação entre sujeitos e meios técnicos: O público como construção social mediada

Um olhar sobre a relação entre sujeitos e meios técnicos: O público como construção social mediada

Santos, Fábio Lopes Souza; Almeida, Rafael Goffinet de

Full Article:

This article analyses some of the proposals produced in the late 1970´s by the American contemporary artist Dan Graham, in which he uses technical means to investigate the audience´s perception and behavior. The questions raised highlight reciprocity phenomena and identity constructions – factors that affect our experience and behavior in contemporary cities daily life. All of these issues derive from Graham´s investigations of the main information and communication technologies (media) produced at that time, and which continue to offer reflections on current relationship between technical means and the subject – that is, his/her condition as audience, observer, spectator or user.

This article analyses some of the proposals produced in the late 1970´s by the American contemporary artist Dan Graham, in which he uses technical means to investigate the audience´s perception and behavior. The questions raised highlight reciprocity phenomena and identity constructions – factors that affect our experience and behavior in contemporary cities daily life. All of these issues derive from Graham´s investigations of the main information and communication technologies (media) produced at that time, and which continue to offer reflections on current relationship between technical means and the subject – that is, his/her condition as audience, observer, spectator or user.

Palavras-chave:

DOI: 10.5151/despro-sigradi2016-615

Referências bibliográficas

• [1] Alberro, A. (Ed.). (1999). Two-Way Mirror Power: Selecte
• [2] Writings by Dan Graham on his Art. Boston: The MIT Press.
• [3] Colomina, B.; Frank, M.; Pelzer, B. (2001). Dan Graham. New York: Phaidon.
• [4] Deleuze, G.; Guatarri, F. (2011). Mil Platôs. São Paulo: Editora 34.
• [5] Foucault, M. (2006). O poder psiquiátrico: curso dado no College de France (1973-1974). São Paulo: Martins Fonte.
• [6] Graham, D. (2009). El arte con relación a la arquitectura. La arquitectura com relación al arte. Barcelona: Gustavo Gili.
• [7] Graham, D. (1999). Essay on Video, Architecture and Television. In ALBERRO, A. (Ed.), Two-Way Mirror Power: Selected Writings by Dan Graham on his Art (pp. 52-61). Boston: The MIT Press.
• [8] Graham, D. (2008). Dean Martin/Entertainmetn as Theater. In WALLIS, A. (Ed.), Rock, mi religion (pp. 64-75). Cidade do México: Alias Editorial.
• [9] Graham, D. (2008). El fin del Liberalismo. In WALLIS, A. (Ed.), Rock, mi religion (pp. 79-91). Cidade do México: Alias Editorial.
• [10] Kwon, M. (2004). One place after another: Site-Specific Art and Locational Identity. Boston: The MIT Press.
• [11] O´Doherty, B. (2007). No interior do Cubo Branco. São Paulo: Martins Fontes, 2007

Como citar:

Santos, Fábio Lopes Souza; Rafael Goffinet Almeida; "Um olhar sobre a relação entre sujeitos e meios técnicos: O público como construção social mediada", p-872-879. In: <strong>XX Congreso de la Sociedad Iberoamericana de Gráfica Digital [=Blucher Design Proceedings, v.3 n.1]</strong>. São Paulo: Blucher, 2016.
ISSN 23186968, DOI 10.5151/despro-sigradi2016-615