Setembro 2016 vol. 8 num. 2 - The 10th Conference of the International Committee for Design History & Design Studies
Article - Open Access.
The inflow and adaptation of Russian Constructivism on the Korean typographic culture in the 1920s–1930s
The aim of this study is researching the interaction between Russian constructivist graphic image and the East Asian typography, particularly Korean typography which has different features, compared to Western letters. For this purpose, graphic design that appeared in media such as newspapers, magazines and books during the 1920-30s in Korea is investigated. In conclusion, Russian constructivist images in Korea were composed with traditional calligraphy and created distinctive visual culture because of the political and economic colonial condition at that time, while constructivist images in Russia and Europe were used mainly with sanserif typography that considered to have international characteristic.
Palavras-chave: Constructivism, Korean typography, Korean design history, sanserif typography, modernity,
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JEONG, Sun-A; KIM, Min-Soo; "The inflow and adaptation of Russian Constructivism on the Korean typographic culture in the 1920s–1930s", p. 125-129 . In: Wong, Wendy Siuyi; Kikuchi, Yuko & Lin, Tingyi (Eds.). Making Trans/National Contemporary Design History [=ICDHS 2016 – 10th Conference of the International Committee for Design History & Design Studies].
São Paulo: Blucher,
ISSN 2318-6968, DOI 10.5151/despro-icdhs2016-02_013
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