Taller 4 Rojo, Graphics And Politics In Colombia During The 1970s

Taller 4 Rojo, Graphics And Politics In Colombia During The 1970s

Correa-Ortiz, Didier

Article:

The collective of graphic artists Taller 4 Rojo (Bogotá - Colombia, 1971-1974) is an important part of Colombian cultural history that is pending to be documented. Today, we’ve come to a kind of revival of interest in our cultural history and the production of this group of artists committed to the social reality of the country, provides a significant overview of the hectic moments that marked the 1960s and 1970s. The aim of this paper is to highlight the graphic testimony offered by the set of actions that established the collective Taller 4 Rojo, beyond the official circles of Colombian art.

The collective of graphic artists Taller 4 Rojo (Bogotá - Colombia, 1971-1974) is an important part of Colombian cultural history that is pending to be documented. Today, we’ve come to a kind of revival of interest in our cultural history and the production of this group of artists committed to the social reality of the country, provides a significant overview of the hectic moments that marked the 1960s and 1970s. The aim of this paper is to highlight the graphic testimony offered by the set of actions that established the collective Taller 4 Rojo, beyond the official circles of Colombian art.

Palavras-chave:

DOI: 10.5151/despro-icdhs2014-0089

Referências bibliográficas

• [1] BARÓN, María Sol. (2009a, julio). La imagen insurgente del setenta. Una aproximación a la experiencia del Taller 4 Rojo. Recovered on June 21 of 2013. http://www.mariasolbaron.laveneno.org/Documentos%20Web%20MS/IcmObj.pdf
• [2] _______________. (2009b, octubre). Ese incómodo objeto en el muro. El Taller 4 Rojo, un autor colectivo entre las artes gráficas y la intervención política. Recovered on June 21 of 2013. http://www.mariasolbaron.laveneno.org/Documentos%20Web%20MS/IcmObj.pdf
• [3] KALMANOVITZ, Manuel. (2012, 25 de mayo). Sueños y pesadillas del arte rojo. Arcadia. Recovered on May 17 of 2013. http://www.revistaarcadia.com/arte/articulo/suenos-pesadillas-del-arte-rojo/28637
• [4] IRIARTE, M. E. Historia de la serigrafía en Colombia (1986) Bogotá. Universidad Nacional de Colombia.
• [5] PINI, Ivonne. (1987) “Grafica Testimonial en Colombia. Mediados de los sesenta a comienzos de los setenta”. In: Revista Arte en Colombia. Nº 33, Bogotá, pp. 60-66.
• [6] VILLAMIZAR, Darío. (1995). Aquél 19 será. Una historia del M-19, de sus hombres y de sus gestas. Un relato entre la guerra, la negociación y la paz. Bogotá: Planeta colombiana editorial.

Como citar:

Correa-Ortiz, Didier; "Taller 4 Rojo, Graphics And Politics In Colombia During The 1970s", p-611-616. In: Tradition, Transition, Tragectories: major or minor influences? [=ICDHS 2014 - 9th Conference of the International Committee for Design History and Design Studies]. São Paulo: Blucher, 2014.
ISSN 23186968, DOI 10.5151/despro-icdhs2014-0089