Princípios e Protótipos Improvisacionais nas Interfaces entre o Design, a Arquitetura e a Arte Digital

Princípios e Protótipos Improvisacionais nas Interfaces entre o Design, a Arquitetura e a Arte Digital

Rocha, Bruno Massara; Margotto, Mario Victor Marques; Malheiros, Victor Nolasco Correa

Article:

In this paper we present final results of interface design processes developed regarding a low-tech-oriented procedures supported by computer vision and physical computing techniques. All the prototypes presented were developed in academic context in a few workshops grounded in interdisciplinary approaches between art, design and architecture. There were applied artistic creative processes such as improvisation, reprograming and post-production in the development of innovative users interfaces from the perspective of re- appropriation of existent objects and its cultural nature.

In this paper we present final results of interface design processes developed regarding a low-tech-oriented procedures supported by computer vision and physical computing techniques. All the prototypes presented were developed in academic context in a few workshops grounded in interdisciplinary approaches between art, design and architecture. There were applied artistic creative processes such as improvisation, reprograming and post-production in the development of innovative users interfaces from the perspective of re- appropriation of existent objects and its cultural nature.

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DOI: 10.5151/despro-sigradi2013-0094

Referências bibliográficas

• [1] Bourriaud, N. (2009). Pós-produção: como a arte reprograma o mundo contemporâneo. São Paulo: Martins Fontes.
• [2] Manovich, L. (2001). The language of new media. Cambridge: MIT Press.
• [3] Deleuze, G., Andamp; Guattari, F. (1997). Mil Platôs: capitalismo e esquizofrenia (Vol. 5). São Paulo: Ed. 34.
• [4] O''Sullivan, D., Andamp; Igoe, T. (2004). Physical Computing: sensing and controlling the physical world with computers. Boston: Thomson.
• [5] Santi, M. (2010). Improvisation: between technique and spontaneity. Newcastle: Cambridge Scholars.
• [6] Szeliski, R. (2010). Computer Vision: algorithms and applications. In Springer (Eds.) Available from http://szeliski.org/Book
• [7] Ullmer, B., Andamp; Ishii, H. (2000). Emerging Frameworks for tangible user interfaces. IBM Systems, 39(3Andamp;4), 17.

Como citar:

Rocha, Bruno Massara; Margotto, Mario Victor Marques; Malheiros, Victor Nolasco Correa; "Princípios e Protótipos Improvisacionais nas Interfaces entre o Design, a Arquitetura e a Arte Digital", p-489-492. In: Proceedings of the XVII Conference of the Iberoamerican Society of Digital Graphics: Knowledge-based Design [=Blucher Design Proceedings, v.1, n.7]. São Paulo: Blucher, 2014.
ISSN 23186968, DOI 10.5151/despro-sigradi2013-0094