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Japanese concept of Kogei in the period between the first world war and the second world war
Japanese concept of Kogei in the period between the first world war and the second world war
Article:
In Japan in the period between the First World War and the Second World War, Rokuzo Yasuda defined Kogei in general as applied art industry, while there were three major movements of Kogei: Bijutsu Kogei, Sangyo Kogei, and Mingei. Sangyo Kogei and Mingei were considered to be counter-movements to Bijutsu Kogei. Sangyo Kogei and Bijutsu Kogei, however, were translated by using the same English expression, ‘industrial art’, and the English expression ‘folk craft’ was applied to Mingei. In this paper, focusing on the arguments about Kogei at the time, I suggest that the Japanese concept of Kogei meant not only crafts but also industrial design, and its fundamental aim was to beautify our daily life by unifying beauty and utility. Yasuda’s definition and others’ arguments about Japanese Kogei provided important foundations for the development of the modern design movement, especially industrial design, in postwar Japan.
In Japan in the period between the First World War and the Second World War, Rokuzo Yasuda defined Kogei in general as applied art industry, while there were three major movements of Kogei: Bijutsu Kogei, Sangyo Kogei, and Mingei. Sangyo Kogei and Mingei were considered to be counter-movements to Bijutsu Kogei. Sangyo Kogei and Bijutsu Kogei, however, were translated by using the same English expression, ‘industrial art’, and the English expression ‘folk craft’ was applied to Mingei. In this paper, focusing on the arguments about Kogei at the time, I suggest that the Japanese concept of Kogei meant not only crafts but also industrial design, and its fundamental aim was to beautify our daily life by unifying beauty and utility. Yasuda’s definition and others’ arguments about Japanese Kogei provided important foundations for the development of the modern design movement, especially industrial design, in postwar Japan.
Palavras-chave:
DOI: 10.5151/despro-icdhs2016-02_011
Referências bibliográficas
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- [3] Izuhara, E. (1989) Nihon no Dezain Undo: Indasutoriaru Dezain no Keihu, Tokyo: Perikansha.
- [4] Kikuchi, Y. (2004) Japanese Modernisation and Mingei Theory: Cultural Nationalism and Oriental Orientalism, London and New York: RoutledgeCurzon.
- [5] Koike, S. (1943) Hambi Keikaku, Tokyo: Atoriesha.
- [6] Koike, S. (1949) ‘Kogei kara Kogyo Sekkei he’, Kenchiku Zasshi, vol.64, no.755, pp.8-16.
- [7] Kunii, K. (1932) ‘Jigen’, Kogei Nyusu, vol.1, no.1, pp.2-3.
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- [9] Kunii, K. (1932) ‘Hompo Kogyo no Kogeiteki Shinten o Nozomu’, Kogei Nyusu, vol.1, no.3, pp.1-2.
- [10] Kunii, K. (1932) ‘Hompo Kogyo no Kogeiteki Shinten o Nozomu (Shozen)’, Kogei Nyusu, vol.1, no.4, pp.1-2.
- [11] Muraoka, K. (1962) ‘Nihon no Mingei Undo’, Dezain, no.29, pp.36-38.
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- [13] Takamura, T. (1939) ‘Kogei no Kiso Kyoiku ni tsuite’, in Dai Nanakai Sekai Kyoiku Kaigi Rombunshu Dai Nikan, Tokyo: Teikoku Kyoikuki.
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- [16] Yanagi, S. (1989) The Unknown Craftsman: A Japanese Insight into Beauty, Revised edition, Tokyo and New York: Kodansha International.
- [17] Yasuda, R. (1936) ‘Kikai no Biteki Kenkyu no Hitsuyo’, Kikai Gakkai Shi, vol.39, no. 230, pp.309-310.
- [18] Yasuda, R. (1938) ‘Applied Art Industry in Japan’, in Proceedings of the Seventh Biennial Conference of the World Federation of Education Associations, Volume IV, Tokyo: The World Conference Committee of the Japanese Education Association.
- [19] Yasuda, R. (1939) ‘Nihon no Kogei’, in Dai Nanakai Sekai Kyoiku Kaigi Rombunshu Dai Nikan, Tokyo: Teikoku Kyoikukai.
Como citar:
AMAGAI, Yoshinori; "Japanese concept of Kogei in the period between the first world war and the second world war", p-105-109.
In: Wong, Wendy Siuyi; Kikuchi, Yuko & Lin, Tingyi (Eds.). <strong>Making Trans/National Contemporary Design History [=ICDHS 2016 – 10th Conference of the International Committee for Design History & Design Studies]</strong>.
São Paulo: Blucher,
2016.
ISSN 23186968,
DOI 10.5151/despro-icdhs2016-02_011
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TY - CONF T1 - Japanese concept of Kogei in the period between the first world war and the second world war JO - Blucher Design Proceedings VL - 8 IS - 2 SP - 105 EP - 109 PY - 2016 T2 - The 10th Conference of the International Committee for Design History & Design Studies AU - SN - 23186968 DO - http://dx.doi.org/10.5151/despro-icdhs2016-02_011 UR - www.proceedings.blucher.com.br/article-details/japanese-concept-of-kogei-in-the-period-between-the-first-world-war-and-the-second-world-war-24174 KW - ER -
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@article{AMAGAI20144,
title="Japanese concept of Kogei in the period between the first world war and the second world war",
journal="Blucher Design Proceedings",
volume="8",
number="2",
pages="105 - 109",
year="2016",
note="",
issn="23186968",
doi="http://dx.doi.org/10.5151/despro-icdhs2016-02_011",
url="www.proceedings.blucher.com.br/article-details/japanese-concept-of-kogei-in-the-period-between-the-first-world-war-and-the-second-world-war-24174",
author="Yoshinori AMAGAI",
keywords="",
}
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Yoshinori AMAGAI, Japanese concept of Kogei in the period between the first world war and the second world war, Blucher Design Proceedings, Volume 8, 2016, Pages 105-109, ISSN 23186968, http://dx.doi.org/10.5151/despro-icdhs2016-02_011 (www.proceedings.blucher.com.br/article-details/japanese-concept-of-kogei-in-the-period-between-the-first-world-war-and-the-second-world-war-24174) Palavras-chave:: ;