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Field of lines. From architecture to art, and back
Field of lines. From architecture to art, and back
Conference full papers:
From architecture to art, and back to architecture: this research interrogates the potential of computation to bridge between both disciplines. The endeavour is twofold, a body of drawings is produced through algorithms that translate cultural and natural events into thousands of lines. Further on, these drawings are used to delineate a procedure in order to give rise to experimental buildings. By means of applying organizational principles outlined in the notion of fields, and the use of non-deterministic algorithms, a method to generate architecture from the realm of the visual arts is explored.
From architecture to art, and back to architecture: this research interrogates the potential of computation to bridge between both disciplines. The endeavour is twofold, a body of drawings is produced through algorithms that translate cultural and natural events into thousands of lines. Further on, these drawings are used to delineate a procedure in order to give rise to experimental buildings. By means of applying organizational principles outlined in the notion of fields, and the use of non-deterministic algorithms, a method to generate architecture from the realm of the visual arts is explored.
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DOI: 10.5151/sigradi2020-111
Referências bibliográficas
- [1] Alberti, L.B. (1747). Los diez libros de arquitectura. Tomo Primero. original: De re aedificatoria. Madrid, España: Joseph Franganillo
- [2] Allen, S (2009). Del objeto al campo: condiciones de campo en la arquitectura y el urbanismo en Abalos, I. (Ed.) Naturaleza y artificio. Barcelona, España: Gustavo Gili
- [3] Carrier, J., Neves, J. (Eds.) (2019). Irma Blank. Schrift wird zum bild. Köln, Alemania: König
- [4] Cook, P. (2014). Drawing. Chichester,Inglaterra: Wiley
- [5] Eckhard H., Krieger J. (Eds.) (2012). Günther Uecker: Word Pictures: Sixty Pictures in Four Decades. Berlín, Alemania: Jovis
- [6] Fry, Ch. (2019). Visuality and the haptic qualities of the line in generative art. XXII Generative Art Conference - GA2019. Recuperado de http://www.generativeart.com/GA2019_web/10_C_Fry_2_16 8x240.pdf
- [7] Kuddles, A., Marcus, A. (2018). Drawing codes. ACADIA // 2018: Recalibration. On imprecision and infidelity. [Proceedings of the 38th Annual Conference of the Association for Computer Aided Design in Architecture. Recuperado de http://papers.cumincad.org/cgi-bin/works/Show?acadia18_46
- [8] Gleiginger, A., Vrachliotis, G. (2008). Complexity. Design strategy and world view. Basilea, Suiza: Birkhäuser Verlag AG
- [9] Hope, C., Ryan, J. (2014). Digital Arts: An Introduction to New Media. Londres, Inglaterra: Bloomsbury
- [10] Paul, Ch. (2015). Digital Art. Londres, Inglaterra: Thames and Hudson
Como citar:
Perez-Espitia, Diego; "Field of lines. From architecture to art, and back", p-816-823.
In: Congreso SIGraDi 2020.
São Paulo: Blucher,
2020.
ISSN 23186968,
DOI 10.5151/sigradi2020-111
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TY - CONF T1 - Field of lines. From architecture to art, and back JO - Blucher Design Proceedings VL - 8 IS - 4 SP - 816 EP - 823 PY - 2020 T2 - XXIV International Conference of the Iberoamerican Society of Digital Graphics AU - SN - 23186968 DO - http://dx.doi.org/10.5151/sigradi2020-111 UR - www.proceedings.blucher.com.br/article-details/field-of-lines-from-architecture-to-art-and-back-35519 KW - ER -
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@article{Perez-Espitia20144,
title="Field of lines. From architecture to art, and back",
journal="Blucher Design Proceedings",
volume="8",
number="4",
pages="816 - 823",
year="2020",
note="",
issn="23186968",
doi="http://dx.doi.org/10.5151/sigradi2020-111",
url="www.proceedings.blucher.com.br/article-details/field-of-lines-from-architecture-to-art-and-back-35519",
author="Diego Perez-Espitia",
keywords="",
}
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Diego Perez-Espitia, Field of lines. From architecture to art, and back, Blucher Design Proceedings, Volume 8, 2020, Pages 816-823, ISSN 23186968, http://dx.doi.org/10.5151/sigradi2020-111 (www.proceedings.blucher.com.br/article-details/field-of-lines-from-architecture-to-art-and-back-35519) Palavras-chave:: ;