Outubro 2023 vol. 11 num. 4 - 15th International Conference of the European Academy of Design

Full paper - Open Access.

Idioma principal | Segundo idioma

Exploring Non-Anthropocentric Design Principles in Indian Classical Dance

Exploring Non-Anthropocentric Design Principles in Indian Classical Dance

Sokhi, Simer Preet ; Vats, Parul Purohit ;

Full paper:

"Indian classical dance boasts of a rich and elaborate history, tracing its roots to ancient times. These dance forms are deeply entrenched in Indian culture, mythology, and spirituality, and have undergone significant changes over time while retaining their connection to nature and the environment. In recent years, there has been a growing interest in exploring non-anthropocentric design principles, which aim to prioritize the environment and nature in various fields, such as architecture, urban planning, and product design.This research paper explores how the principles of Indian classical dance can offer valuable insights into non-anthropocentric design. The paper analyzes the key concepts of Indian classical dance, such as rasa, bhava, and tala, and demonstrates how they can be applied to design beyond the traditional anthropocentric approach. Specifically, the paper explores how these principles can be leveraged to design products, spaces, and experiences that are in harmony with nature and the environment."

Full paper:

"Indian classical dance boasts of a rich and elaborate history, tracing its roots to ancient times. These dance forms are deeply entrenched in Indian culture, mythology, and spirituality, and have undergone significant changes over time while retaining their connection to nature and the environment. In recent years, there has been a growing interest in exploring non-anthropocentric design principles, which aim to prioritize the environment and nature in various fields, such as architecture, urban planning, and product design.This research paper explores how the principles of Indian classical dance can offer valuable insights into non-anthropocentric design. The paper analyzes the key concepts of Indian classical dance, such as rasa, bhava, and tala, and demonstrates how they can be applied to design beyond the traditional anthropocentric approach. Specifically, the paper explores how these principles can be leveraged to design products, spaces, and experiences that are in harmony with nature and the environment."

Download (PDF)

Palavras-chave: Dance, Non-Anthropocentric, Indian Classical Dance, Performing Arts, Environment, Design Principles,

Palavras-chave: Dance, Non-Anthropocentric, Indian Classical Dance, Performing Arts, Environment, Design Principles,

DOI: 10.5151/ead2023-3SON_Paper_16Simer-Preet-Sokhi-et-al

Referências bibliográficas
  • [1] The Editors of Encyclopaedia Britannica. (1998, July 20). Bharata natyam | Traditional, South Indian, Classical. Encyclopedia Britannica. https://www.britannica.com/art/bharata-natyam
  • [2] Grau, A. (2007). Political activism and South Asian dance. South Asia Research, 27(1), 43–55. https://doi.org/10.1177/026272800602700103
  • [3] Grey, W. (1993). Anthropocentrism and deep ecology. Australasian Journal of Philosophy, 71(4), 463–475. https://doi.org/10.1080/00048409312345442
  • [4] Capra, F., & Luisi, P. L. (2014). The systems view of life: A Unifying Vision. Cambridge University Press.
  • [5] Ketkar, A. R. S. (2017). The history of Indian art.
  • [6] Venkataramna, L., & Pasricha, A. (2004). Indian Classical Dance: tradition in transition.
  • [7] Chan, J. C. P., Leung, H., Tang, J. K. T., & Komura, T. (2011). A virtual reality dance training system using motion capture technology. IEEE Transactions on Learning Technologies, 4(2), 187–195. https://doi.org/10.1109/tlt.2010.27
  • [8] Viswanathan, L. (1984). Bharatanatyam: The Tamil Heritage.
  • [9] Sax, W. S. (2002). Dancing the self: Personhood and Performance in the Pandav Lila of Garhwal. Oxford University Press.
  • [10] Fry, T. (2009). Design futuring: Sustainability, Ethics and New Practice. Bloomsbury Publishing PLC.
  • [11] Papanek, V. J. (1985). Design for the real world: Human Ecology and Social Change.
  • [12] Khokar, M. (1984). Traditions of Indian classical dance.
  • [13] Kothari, S. (2003). New directions in Indian Dance. Marg Publications.
  • [14] Kothari, S. (1982). BHARATA NATYAM: INDIAN CLASSICAL DANCE ART.
  • [15] Nor, M. a. M., & Stepputat, K. (2016). Sounding the dance, moving the music: Choreomusicological Perspectives on Maritime Southeast Asian Performing Arts. Routledge.
  • [16] Bharucha, R. (2003). Theatre and the world: Performance and the Politics of Culture. Routledge.
  • [17] Hayward, T. (1997). Anthropocentrism: A Misunderstood Problem. Environmental Values, 6(1), 49–63. https://doi.org/10.3197/096327197776679185
  • [18] Craig, M. (2010). Susan Kozel: Closer: Performance, Technologies, Phenomenology. Human Studies, 33(1), 103–108. https://doi.org/10.1007/s10746-010-9139-8
  • [19] Massey, R., & Massey, J. (1989). The Dances of India: A General Survey and Dancers’ Guide. Conran Octopus.
  • [20] Rittel, H. W. J., & Webber, M. M. (1972). Dilemmas in a general theory of planning.
  • [21] Soneji, D. (2012). Unfinished gestures: Devadasis, Memory, and Modernity in South India. University of Chicago Press."
Como citar:

Sokhi, Simer Preet; Vats, Parul Purohit; "Exploring Non-Anthropocentric Design Principles in Indian Classical Dance", p. 629-637 . In: 15th International Conference of the European Academy of Design. São Paulo: Blucher, 2023.
ISSN 2318-6968, DOI 10.5151/ead2023-3SON_Paper_16Simer-Preet-Sokhi-et-al

últimos 30 dias | último ano | desde a publicação


downloads


visualizações


indexações