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Emerging Studio Ceramic Influenced by Islamic Culture: The Cultural Heritage of Alhambra Palace as a Case Study

Emerging Studio Ceramic Influenced by Islamic Culture: The Cultural Heritage of Alhambra Palace as a Case Study

Basodan, Zelal Yousef ;

Full paper:

At the end of the last Islamic dynasty with the colonial periods, Islamic Art experienced a significant decline in production. Since heritage is not solely history, yet a cultural process that continues to the present. There is a need to revisit the cultural heritage context of Islamic Art and adapt it in the current creative practice by contemporary artists. Islamic Spain during the Nasrid dynasty (1237-1492) produced artefacts that are known to be lavish, multi-cultural, artistic style. However, from a Studio Ceramics perspective this area is under researched. Therefore, the current practice-based research is exploring Alhambra Palace by reinvigorating cultural heritage artefacts. Additionally, with the shift of interest from material based to digital based disciplines and Ceramics was one of these fields. As a response this project is undertaking a practice-based approach aiming to produce hybrid contemporary Islamic Ceramics, utilising traditional and new technology methods. Furthermore, this creative practice is taking “failure” or “happy accidents” into consideration.

Full paper:

At the end of the last Islamic dynasty with the colonial periods, Islamic Art experienced a significant decline in production. Since heritage is not solely history, yet a cultural process that continues to the present. There is a need to revisit the cultural heritage context of Islamic Art and adapt it in the current creative practice by contemporary artists. Islamic Spain during the Nasrid dynasty (1237-1492) produced artefacts that are known to be lavish, multi-cultural, artistic style. However, from a Studio Ceramics perspective this area is under researched. Therefore, the current practice-based research is exploring Alhambra Palace by reinvigorating cultural heritage artefacts. Additionally, with the shift of interest from material based to digital based disciplines and Ceramics was one of these fields. As a response this project is undertaking a practice-based approach aiming to produce hybrid contemporary Islamic Ceramics, utilising traditional and new technology methods. Furthermore, this creative practice is taking “failure” or “happy accidents” into consideration.

Palavras-chave: Alhambra Palace, Nasrid Polygons, Arabic Poems, Happy Accidents, Laser Engraving,

Palavras-chave: Alhambra Palace, Nasrid Polygons, Arabic Poems, Happy Accidents, Laser Engraving,

DOI: 10.5151/ead2023-5GLA-10FULL_EmergingStudioCeramic_Basodan

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Como citar:

Basodan, Zelal Yousef; "Emerging Studio Ceramic Influenced by Islamic Culture: The Cultural Heritage of Alhambra Palace as a Case Study", p. 987-999 . In: 15th International Conference of the European Academy of Design. São Paulo: Blucher, 2023.
ISSN 2318-6968, DOI 10.5151/ead2023-5GLA-10FULL_EmergingStudioCeramic_Basodan

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