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The Annibale Oste’s poietic research as emblem of sustainable cultural design

Gallo, Anna;

Article:

The history of design shows that, especially in relation to art, even the products of technique can have a symbolic charge, given by their own function but tapping also from the communicative, knowledge and memory dimensions. This kind of objects, called semiofori, represent the main field of implementation of the research in design performed by the Neapolitan sculptor-designer Annibale Oste from the eighties for more than two decades. Poet, passionate about the topic and about the cultural stratifications of history as well as the new and unexplored, he manages to join together the three elements through continuous experimentations. Studying, trying and discovering, he combines together the new and traditional materials, the artisan techniques with the industrial ones, giving a shape to memories and fantastic stories. In this way the design becomes animated, able to express itself and to make contact with people and the surrounding environment; to transmit its own cultural contribution and to stimulate, at the same time, the creation of a new culture.

Article:

Palavras-chave: memory, semiotics, experimentation, poetry, innovation,

Palavras-chave:

DOI: 10.5151/despro-icdhs2014-0038

Referências bibliográficas
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  • [2] Burkhardt, F. (2007) ‘Arte e design, una collaborazione impegnativa’, in Bignardi, M. and Zampino, G. (ed.) Annibale Oste. Attraversamenti, dalla scultura al design 1970-2005, Napoli: Altrastampa edizioni.
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  • [8] Oste, A. (1989) Mediterranea. Appunti per una mostra. Annibale Oste Archive, Napoli, unpublished.
  • [9] Restany, P. (1990) ‘Oggetti d’uso e oggetti di sogno’, in Restany, P. and Vigo, N. Metafora dell’oggetto, Catalog of the exhibition, Centro Domus Milano, September 11-20.
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  • [11] Vitta, M. (2001) Il progetto della bellezza. Il design tra arte e tecnica, 1851-2001, Torino: Einaudi.
Como citar:

Gallo, Anna; "The Annibale Oste’s poietic research as emblem of sustainable cultural design", p. 291-296 . In: Tradition, Transition, Tragectories: major or minor influences? [=ICDHS 2014 - 9th Conference of the International Committee for Design History and Design Studies]. São Paulo: Blucher, 2014.
ISSN 2318-6968, DOI 10.5151/despro-icdhs2014-0038

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