Article - Open Access.

Idioma principal

Design, Crafts and Architecture in Flanders. Do They Relate in Education as in Practice?

Böröcz, Zsuzsanna ;

Article:

After World War II the urge for efficiency in the western world splits up the happy traditional marriage between (interior) architecture, arts and crafts and design. The crafts survive as ‘hobbies’, disengaged from architecture and design which both seek the alliance of industry. Recent signs indicate that the architectural and design worlds look back to old techniques in search of ornament and narration, influenced by the visual arts and fashion. While in Flanders (Belgium) the disciplines feel the need for a redefinition of their foundations, going back to the source, the Bologna Process pushes higher education in another direction. As a result of the reorganization of arts, heritage and design education, the ‘academized’ craftsman and interior architect is educated in a more technical-scientific framework, which will likely estrange him from an artistic attitude. This would imply that the artisan qualities currently sought after by architects and various designers will be harder to find, and harder to apply because the designers lack insight in the material foundations of their ‘craft’. This paper aims to express concerns by sketching developments in Belgian education which fail to meet both the interests of designers and wider societal needs. It is concerned with the contributions which arts and crafts might make towards a more engaged and ecological design practice. The demand for the attitudes and sensibilities of craftsman and artist in various sectors of society comes at a time when they are all but lost. We wish to plea for an approach to education which implements the dynamics of practice and society in order to maintain a dialogue between training and reality. This approach needs to acknowledge the potential synergy between arts and crafts, architecture, heritage conservation and design.

Article:

Palavras-chave: arts and crafts, design, architecture, education, practice,

Palavras-chave:

DOI: 10.5151/despro-icdhs2014-0010

Referências bibliográficas
  • [1] Ornament, (2005), Oase #65, Nai010 Publishers.
  • [2] Gimeno-Martinez, J. and Floré, F. (eds.), (2010), Design and Craft: a history of convergences and divergences, 7th Conference of the International Committee of Design History and Design Studies (ICDHS), 20-22 September, Brussels: Contactforum.
  • [3] De Vos E., Lombaerde, P. (eds.), (2013), 350 jaar architectuur in Antwerpen [350 years of architecture in Antwerp], Antwerp/Brussels: UPA/ASP.
  • [4] Heynickx, R., Schoonjans, Y. and Sterken S. (reds.), (2013) Tekenen en betekenen Opstellen over het architectuurinstituut Sint-Lucas, 1862-2012 [To design and to signify. Essays on the institute of architecture Sint-Lucas], Leuven: University Press.
  • [5] Ubben, E., Pas, J., Theys, H. (eds.), (2013), CONTRADIcTIES. Koninklijke Academie voor Schone Kunsten Antwerpen 2013-1663 [CONTRADIcTIONS. Royal Academy of Fine Arts Antwerp 2013-1663], Antwerp: AsaMER.
  • [6] Codes and Continuities, (2014), Oase #92, Nai010 Publishers.
  • [7] Grafe, Ch., Pimlott, M. and Stuhlmacher, M., (2002), “Editorial: ornament. Decorative Traditions in architecture”, Oase # 65, pp. 2-5.
  • [8] Pil, L., (2004), ‘Ongewone designconcepten/Design insolite/Unusual Design Concepts’, in [IM]PERFECT by DESIGN, exh. cat., Royal Museum of History and Art Brussels, pp. 13-30, pp. 208-215.
  • [9] Smets, F. (2004), ‘Design tussen uitersten: een staalkaart van opleidingen/Les écoles de design: d’un extreme à l’autre/Design between extremes: a training sampler’, in [IM]PERFECT by DESIGN, exh. cat., Royal Museum of History and Art Brussels, pp.31-44, pp.216-222.
  • [10] Valcke, J. (2004) ‘De imponderabilia van design. Les impondérables du design’, (2004), ‘Ongewone designconcepten/Design insolite/Unusual Design Concepts’, in [IM]PERFECT by DESIGN, exh. cat., Royal Museum of History and Art Brussels, pp. 5-11.
  • [11] Avermaete, T, De Bruijn, D. and Floris J., (2014), “Editorial”, Oase #92, pp. 5-
  • [12] Grafe, Ch., (2014), “Other Modernities Observations about a North-West-European Architecture”, Oase #92, pp. 150-161.
  • [13] Lampugnani, V. M., (2014), “Tradition, Subtle Innovation and the Ineluctable Modern”, Oase #92, pp. 21-29.
  • [14] Cassiman, A.,(2012), Erfgoedgerelateerde opleidingen. Een onderzoek naar het opleidingsaanbod en de scholingsbehoefte(n) binnen de onroerend erfgoedsector in Vlaanderen [Heritage-related training. A study on the educational offer and need(s) within the built heritage sector in Flanders] unpublished study, Artesis University College Antwerp, for the Flamish institute for Built Heritage.
  • [15] Boutsen D., (2013), Speech of Dag Boutsen, Dean of the Faculty of Architecture, KU Leuven on the occasion of the establishment of the Council of the Faculty.
Como citar:

Böröcz, Zsuzsanna; "Design, Crafts and Architecture in Flanders. Do They Relate in Education as in Practice?", p. 121-126 . In: Tradition, Transition, Tragectories: major or minor influences? [=ICDHS 2014 - 9th Conference of the International Committee for Design History and Design Studies]. São Paulo: Blucher, 2014.
ISSN 2318-6968, DOI 10.5151/despro-icdhs2014-0010

últimos 30 dias | último ano | desde a publicação


downloads


visualizações


indexações