Article - Open Access.

Idioma principal

Design and research in design: some reflections

Branco, Vasco ;

Article:

The lack of clarity about what it means to be a designer remains one of the biggest problems facing this professional class in Portugal in the definition of their social affirmation. One of the endogenous problems for design activity itself is the need to construct a discourse which will clarify the ontological contours which correlate with the contemporary state of the trajectory of Design. In this paper I depart from the triangular model proposed by Francisco Providência, to deduce – as I will aim to demonstrate, based on simple geometric reasoning - that any design solution results from the convergence of negotiated responses to the three categories of simultaneous requests that emerge, either from the assumption of the Materialization of an artefact (regardless of materiality), through awareness of Other, or from the imperative of Meaning production.

Article:

Palavras-chave: design ontology, design research, graphical models, geometric reasoning,

Palavras-chave:

DOI: 10.5151/despro-icdhs2014-0101

Referências bibliográficas
  • [1] Bürdek, Bernhard (1994), Diseño.História, teoria y práctica del diseño industrial, Barcelona, Gustavo Gili.
  • [2] Costa, Rui (2007), “Estruturas triangulares na investigação em design: convergência na dispersão”, in Fernando Pereira, Miguel Leal (eds.) MONO DISPERSO, Porto, Faculdade de Belas Artes da Universidade do Porto, pp. 168-179
  • [3] Cross, Nigel (2000),”Designerly Ways of Knowing: Design Discipline versus Design
  • [4] Science” in Silvia Pizzocaro, Amilton Arruda, Dijon De Moraes (eds.) Design plus Research Conference Proceedings, Milano, Politecnico di Milano, pp. 43-49
  • [5] Fallman, Daniel (2008), “The Interaction Design Research Triangle of Design Practice, Design Studies, and Design Exploration”, Design Issues: Vol. 24, Nº3, pp. 4-18.
  • [6] Frayling, Christopher (1993). “Research in Art and Design”. Royal College of Art
  • [7] Research Papers. 1 (1): 1-5
  • [8] Jonas, Wolfgang (2007), “Design Research and its Meaning to the Methodological Development of the Discipline”, in
  • [9] Ralf Michel (ed.) Design Research Now, Basel, Birkhäuser Verlag AG, pp.187-206.
  • [10] Krippendorff, Klaus (2006). The semantic turn: a new foundation for design, New York, CRC Press, Taylor Andamp; Francis Group,.
  • [11] Mari, Enzo (2003), Progetto e passion,Torino, Bollati Boringhieri, col. Arte e letteratura.
  • [12] Osterwalder, Alexander Andamp; Pigneur, Yves (2011), Criar Modelos de Negócio, LIsboa, Publicações Dom Quixote.
  • [13] Providência, Francisco (2008), Gestão do Design, sector casa, Lisboa, IAPMEI - Instituto de Apoio às Pequenas e Médias Empresas e à Inovação.
  • [14] Providência, Francisco (2012), Poeta, ou aquele que faz. A poética como inovação em Design, Tese de doutoramento em Design, Universidade de Aveiro, Departamento de Comunicação e Arte.
  • [15] Quental, Joana (2009), A ilustração enquanto processo de pensamento. Autoria e Interpretação. Tese de doutoramento em Design, Universidade de Aveiro, Departamento de Comunicação e Arte.
Como citar:

Branco, Vasco; "Design and research in design: some reflections", p. 687-693 . In: Tradition, Transition, Tragectories: major or minor influences? [=ICDHS 2014 - 9th Conference of the International Committee for Design History and Design Studies]. São Paulo: Blucher, 2014.
ISSN 2318-6968, DOI 10.5151/despro-icdhs2014-0101

últimos 30 dias | último ano | desde a publicação


downloads


visualizações


indexações